Perry Fenwick: The Cockney Bloke Who Plays 'Billy Mitchell'
By Larry Jaffee
BOREHAMWOOD-When you enter the dressing room of Perry
Fenwick, known to us EastEnders fans as Billy
Mitchell, you can't help noticing a giant poster of
the British rocker Ian Dury, who died a few years ago.
There's also on a chair a stuffed replica of Terence
the dog that Billy gave to Janine as a gift.
Walford Gazette: I ran an obituary of Ian Dury in the
Walford Gazette when I learned he died. I wrote
although Ian was not a Cockney, he certainly lived the
Cockney spirit.
Perry Fenwick: Oh, he's great. He's more of an Essex
boy really, but I mean he's a brilliant bloke,
absolutely brilliant bloke. I was in a film with him
that Bob Hoskins directed called "Raggedy Rawney", and
we filmed it three months in Czechoslovakia in 1987.
He played a bit of a rock star in it. It was before
the Berlin Wall came down. So it was still very
communist and kind of, you know, very secret and lots
of KGB people around. That was the only time in my
life that I've actually seen a television get thrown
out of a hotel room window.(Laughter) And it's quite a
weird thing to see.
WG: Who threw it out?
PF: Dury. He was just so fed up with this place and
just one night we'd had a few Schnapps too many and he
said he was gonna do it. So everyone went out onto
their balconies and just looked and you just saw this
television come out of a thing and it just went slow
motion. And just smashed into a million different
bits, but it was very funny. [Pointing to the poster,
Perry says] I got that from the [EastEnders] set, a
smaller one of it, and they blew it up for me.
WG: Let's talk about the Billy Mitchell character.
PF: Yeah, sure. Ask away.
WG: You have this interesting relationship with Phil.
I mean you're related by blood, but at times Phil can
turn on you at any second and disown you, like in The
Godfather almost.
PF: It's a funny one really because I mean it's like
you say. When I first came into the show, it was only
for four episodes. It was to introduce the character
of Jamie Mitchell. It's kind of like they put the show
on hold for a week just to concentrate on a certain
family or just to kind of make everything easier and
swifter for the public. So I got a call and I'd never
had an audition for anything in my life. I'd been
acting for about 20 years before I got an audition.
EastEnders had been up and running for about 13 years.
People everywhere would just constantly say to me,
"You should be in that EastEnders. You'd be perfect
for that because you are from the East End of London."
And I always used to say, "Yeah, but, you know, they
haven't asked me and I've never had an audition."
Anyway, eventually they asked if I was interested in a
contract for up to four episodes." I was immediately
deflated and just went, "Well, you know, that's not
that much." They offered me the job and I asked,
"Well, what's the likelihood that this character, you
know, returns?" And in the words of the casting
director, she said, "Well, he's a Mitchell." So, you
know, they were the big mainstay family of the show.
"So you can really make it your own - it happens quite
a lot - then he'll return."
WG: Were they looking for positive feedback on the
character from the critics or the public?
PF: Both. I mean it's a good job, but it can be
really so fast. I mean you walk onto the set and
that's it basically. You get one camera rehearsal and
then you film it, because there's so much to film,
especially now it's four times a week. And so it's a
bit daunting. You've got to be able to keep up with
the pace of it. So, anyway, I got cast and looked at
the character and luckily for me, I mean it was - he
was a nasty piece of work. The whole story about how
he was beating up Jamie. I'm in the last one where
people suddenly go, "Oh, Billy Mitchell. He's really
nasty." So it kind of gave me two sides to do rather
than just being, "Oh, he's and out and out villain,"
it was more to play with. Steve [McFadden] is an old
mate, so he kind of showed me the ropes a little bit
and said, "Look, you know, you find stuff in it. You
don't have to do exactly what's written now. It's a
guideline, but, you know, make it your own and stuff."
And I decided, well, I could do it and at the end of
that, they said, "Oh, we're pleased and would you be
interested in coming back?" And I said yeah.
WG: How long did it take for you to find out if Billy
was going to be a regular character?
PF: Six weeks, a long time, because even if they think
that you're fantastic, they can't alter the storylines
what they've got put down
WG: So the year is pretty much plotted out?
PF: They'll know upstairs what's happening to me up
until like, say, next May already, but I only know
what's happening to me up until just before Christmas.
So it's that far ahead. So when they say "Well, we
might, you know, be interested in getting you back,"
it's then going to be a case of you're available to do
it and, two, how serious are they. But then the next
thing what happened was that Ross Kemp (Grant
Mitchell) announced he was leaving. And so that was
gonna leave a gap in the Mitchell family to be filled.
Billy was still a baddie, the character, and at that
point I'm not sure whether they were thinking, "Oh, he
could be possibly a replacement in the same mould as
Grant and Phil or he could be like a Nick Cotton-type
character. I wasn't really interested in doing that.
Fenwick explains that he was more interested in
working the "quite likable" side of Billy's
personality, exemplified by his taking an interest in
Janine when she was down and out and no one else care
to lend a helping hand.
Once it was decided that Billy would be a regular
character, the creative team also came up with a
storyline for him that explained his dark side,
dealing with physical abuse by a former teacher. "A
guy turns up in the square and you see Billy being
nasty to an old man. It gave him a reason for always
being the black sheep." Fenwick has fond memories of
the two-hander episode in which Billy confronts his
former abuser because it further developed his
character, as has his romance with "Little Mo."
The fact that Fenwick is a real East Ender gives
the show a touch of authenticity. He tells of a story
when he first joined the cast and ran into June Brown
(Dot Cotton), who asked "Who are you playing?" When
Fenwick announced, "Billy Mitchell," to which Brown
replied, "Oh there's another one." June then enquired
about where he was from, and Fenwick said "the East
End, Canning Town," and Brown responded, "Oh really."
He explains how on this day he's been at the
studio since 7 a.m. -- it's about 1:30 in the
afternoon when we chat - and he won't leave until 7
p.m. He's expected back on the set for some scenes in
the late afternoon. Hoping to run some errands on the
Borehamwood High Street before then, so he apologises
about having to end our chat prematurely.
Before I go, Fenwick shows me a photo of the
EastEnders team soccer team, of which he is a member.
He played seriously up to the time he was 17 and still
plays.
Fenwick enjoys being recognised while shopping or at
the post office, and appreciates how much people enjoy
his portrayal of the character, as he points to a
stack of fan mail that he plans on soon answering.
"People believe Walford does exist."

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