BBC America Moves EE to Saturdays
By Larry Jaffee
BETHESDA, MD—Bowing to pressure from viewers, BBC
America has scheduled EastEnders on Saturdays at 1
p.m. (ET), effective Sept. 7, instead of the
inconvenient Fridays at 3 p.m. that took effect on
Aug. 9.
In July, BBC America announced that it was
dropping EastEnders from its weekly Sunday slot at 11
a.m. (ET), in favour of the home improvement shows
Changing Rooms and Ground Force, which are among BBC
America’s highest-rated shows.
In a statement released Aug. 9, BBC America
stated that it has “listened to the many fans who have
contacted us and asked for a weekend airing of
EastEnders. We cannot reinstate the Sunday airing of
EastEnders because the show's ratings have been
extremely disappointing.”
While the BBC has given EastEnders fans something
of a reprieve, the decision came with a warning:
“Nobody will be more delighted than us if EastEnders
proves a success in its new time slot. However, we
must make it clear that we will be reviewing the
situation next year and if the show fails to perform
on Saturdays it will be discontinued.”
In July, BBC America said cancelling EastEnders
on Sundays was part of its "overall changes” to the
fall schedule. “We want to assure you that we are
listening to you, but BBC America has to compete in a
commercial environment where ratings and resulting
advertising must be a consideration. Without it we
could not exist.”
BBC America urged viewers to send it comments
about the move, and apparently the letters were read
and considered by its head of programming and other
senior executives, as the channel had promised.
Analysis
When asked by the Walford Gazette whether the
Sunday episodes generated higher ratings than those on
Friday, a BBC America spokesman declined to provide
the actualfigures, other than to say that they were
"broadly similar."
He added that EastEnders on Sundays was "losing
audience" from the Ground Force lead-in.
“We hope that people use their VCRs to record,"
he said, “if they're not around to watch Friday
afternoons.” I pointed out to him that most
ratings-conscious broadcasters are aware that people
who tape programmes usually fast forward through the
commercials, and broadcasters generally hate such
time-shifting because their advertisers are ignored,
thus killing the sole source of revenue for commercial
television.
(On a personal note, I found myself unable to
record EastEnders on Aug. 9 while I was at work
because I could not find the remote controls to either
of my VCRs, which can only be programmed that way. Had
BBC America not come up with the Saturday solution, I
would have had to buy another VCR, which otherwise
wasn’t needed.)
Audience feedback is among the factors the
network uses in making such a programming decision,
the BBC America spokesman told me in July. He said it
was not necessarily a specific number of complaints
from upset fans that would result in a decision
reversal.
"We realize EastEnders has a loyal audience… .
They all have got to perform," he said, in language
not dissimilar to that used by public television
stations that have dropped or threatened to drop
EastEnders from their programming line-ups because of
decreasing financial contributions from viewers.
I suggested to the BBC America spokesman that
perhaps EastEnders would have better ratings if it was
promoted on-air during other timeslots. His response
was that BBC America promotes programmes that show
signs that they have the best chances of doing well.
For EastEnders to succeed in its new time slot, I
urge BBC America to start promoting it during the
commercial breaks of other shows, as it does with its
wall-to-wall promo blitzes of Manchild, Ground Force
and So Graham Norton. Otherwise, next year we’re
going to be in the same situation.
These latest moves come just about a year after
BBC America stopped airing EastEnders on a weekday
daily basis in favour of the Friday and Sunday blocks
as a means to gain larger audience, especially on
weekends. At that point, BBC America also cancelled
its EastEnders: The Early Years episodes.
Last year's explanation: "We are aware that
EastEnders is one of our more watched programmes,
which is why, after hearing from a vast number of our
viewers that the weekday airing was not convenient for
those who work, we decided to rethink our schedule. A
weekend airing of all of the episodes allows a larger
number of our viewers to tune in or record the entire
week’s events and with an extra episode being added
later this year, the weekend slot allows for more
flexibility."
Purely speculation on my part, but I wonder
whether the Sunday cancellation, and the further
threat of cancellation if it doesn’t “perform” on
Saturdays, are a ruse to get fans to eventually pay
for the show.
A November 2001 press release announced a new
video-on-demand (VOD) service to be launched in early
2002 by BBC America. Obviously, that has not happened
yet. The VOD services would allow U.S. viewers to see
EastEnders when the U.K. sees it, instead of two weeks
later, as on BBC America.
The BBC America spokesman said the time change
and on-demand service are two completely separate
matters. The service hadn't been launched yet because
the cable operators were not ready for such an
advanced digital system, but there’s still a plan to
introduce such a service, although no timetable for
its launch.
EastEnders was the only BBC programme to be
initially selected for testing this new service.
"We know that EastEnders has many avid fans in
the U.S. who are keen to watch the show as soon as
possible," said Paul Lee, BBC America’s chief
operating officer, in the November 2001 announcement.
A question that forever perplexes me is how
EastEnders can be the most popular programme in
Britain (scheduled four nights a week in prime time,
with all four episodes reprised on Sunday afternoons),
but get marginalized on this side of the Atlantic.
Despite appreciative audiences in such remote
North American outposts as Fargo, North Dakota, as
well as major cities like New York, Philadelphia and
Miami via public television, EastEnders does not get
any kind of priority push from the BBC’s commercial
arm.
Maybe I’m naïve, but I think that great
television drama, particularly from the U.K., will
find an audience if viewers know that it’s on. Let’s
hope that some enlightened powers-that-be will figure
that out.
Write to Paul Lee, BBC America, 7475 Wisconsin Avenue, 11th floor, Bethesda, MD 20814.

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